I’ve always loved using frames in my photographs.
They make the scene feel complete like turning a fleeting moment into a painting.
A frame within a frame doesn’t just decorate the image; it tells the viewer where to look. It quietly guides the eye toward the story you want to tell. Whether it’s a window, a doorway, a shadow or even a gap between people.
These natural frames draw attention to the subject and add a sense of depth that feels cinematic.
When I walk through the streets, I often look for frames before I even notice the people. This could be a window glowing with soft light, a fence dividing two worlds, or the space under an archway.
Once you start seeing them, you can’t unsee them. The street suddenly becomes full of ready-made compositions waiting for you to notice.
Technically, framing adds layers. It creates separation between foreground, subject, and background, giving the image a three-dimensional feel. Using light and shadow to build those layers can transform an ordinary street corner into something almost theatrical.
But for me, it’s not just about technique.
It’s about intention.
A frame gives meaning to chaos and it says, this is where the story happens.